Showing posts with label 2006. Show all posts
Showing posts with label 2006. Show all posts

Monday, May 31, 2010

Afternoon Tea


. . .  sweetly old-fashioned and comfortable . . .
. . . like old flow blue china plates on a sun-dappled tablecloth . . .


Just as a quilt evolves from the time it is conceived until it is completed, so do the corresponding thoughts, as shown by the following series of haiku written in an attempt to capture the essense of this quilt for my journal. 

Warm tender yellows.
Introspective, soft, quiet.
Gracious blue leisure.
~
Soft sunny yellows.
Unpredictable . . . gracious
Charming, soothing blues.
~
Deep blues, bright yellows.
Rich, timeless intensity.
Sun-splashed impressions.
~
Colors of Provence.
Delicate, flamboyant, diverse.
Luxurious calm.
~
Painters in Provence.
Picturesque, sun-warmed stillness.
Art of living well.
~
Cezanne and Monet.
Passion, energy, beauty.
Simple elegance.


And the final version for the gift card?

Deep blues, bright yellows.
Flamboyant, delicate, diverse ~
Extravagant calm.

[Gifted December 2006]

Wednesday, May 26, 2010

Priority Quilts No. 3 and 4

PQ #374 started out to be a sweet, comforting piece made with scrappy reproduction fabrics.  It changed, as is so often the case when Alzheimer's is involved, to a statement of frustration and division.

Machine pieced and machine quilted with hand applied alphabet beads spelling out the name of the quilt:  Memories Interrupted

PQ #431 happened quickly - machine pieced from a block pattern found at The Quilters Cache and machine quilted, all in one evening! 

The label featured this verse:

Star light, star bright
First star you see tonight.
I pray you may, I pray you might
Find some peace in all this strife.

When the quilt was offered in the monthly AAQI online auction, I was frustrated at the low bid so I entered a bid to buy back my own quilt.

A few days later, one of my co-workers mentioned that she had bid on one of my quilts but lost out at the last minute.  Turned out she and I had been bidding against each other! 


There was a happy ending:  she bought the quilt from me for the bid price she had offered (ironically, the same as mine).   That's Janet on the left and yours truly on the right.

Friday, May 21, 2010

Impromptu

This scrappy, reversible quiltlet was made from random-size pieces left behind after I trimmed the oversize backing from Flying Geese & Angel Wings. [DH turned the holders for my felted pin cushion balls - the little purple one came from the Folk School gift shop, the orange one was made during a Folk School class.  Felted balls take A LOT of elbow grease!]


I sewed enough segments together for a front and a back, quilted it with hot pink thread, and used leftover scrappy binding to finish it off.  All without much pondering.


What an unplanned, quirky, joyful burst of color!

[This was later gifted to a family friend who needed a colorful hug.]

Wednesday, April 14, 2010

Fantastic Felines

This colorful whole-cloth quilt was made for my mother-in-law ~ I quilted it using an expanded version of what I now call my 'ripple' quilting.

Here's a close up of the front fabric.

This is the fabric on the back side of the quilt.

And this is my very own fantastic feline ~ Miss Angel (1995-2010) ~ kitty-testing the quilt.

[postscript: after MIL passed away in 2009, this quilt was donated to Margaret's Hope Chest so that a homeless child in Grand Rapids, MI would have a warm kitty-themed quilt to soften at least a part of their days.]

Wednesday, April 7, 2010

Lighthouse Beach

Created for my sister’s October 2006 birthday [she loves lighthouses]. I was able to give to her in person when we met for our Sisters Weekend in St. Louis.


Pattern from Sew One and You’re Done
Quilted by me!

Wednesday, March 31, 2010

2006 Mid South Fair

In the miniature quilt category (less than 24” x 24”), a scrappy batik Rail Fence end-table topper (third place).

In the crib quilt category (more than 36” but less than 60”), a kitchen-table topper named Santa Fe (second place).

In the wall quilt category (more than 25” but less than 80”), Flying Geese and Angel Wings (third place).

In the bed quilt category (more than 60” but less than 110”), Fiesta! (first place).

These ribbons were added to those for my 2005 entries and hung quietly in the closet in my quilt studio.

Wednesday, March 24, 2010

AQS Quilt Show, Nashville (August)

This was my first time to attend a quilt show. What an overwhelming, entirely out of body, sensory overload experience!!

So many colors, so many quilts, so many vendors, so many products, so many people . . .

The highlight for me was viewing the inaugural showing of the Forgetting: Piece by Piece exhibit by the Alzheimer’s Art Quilt Initiative.

I also took two classes, hauling my machine and gear (without benefit of a rolling case) through the long, long hallways of Nashville’s Gaylord Opryland resort.

Class one was with Scott Mulkin, a doctor from North Carolina. Making Waves involved learning to cut curved half-square triangles without templates. I had purchased and prepared 74 blocks of assorted Christmas fabrics for an almost twin size quilt . . .



Class two was held Saturday morning with Lynda Milligan and Nancy Smith of The Great American Quilt Company. My class project became a 23” x 23” quilt entitled “The Heart of the Matter” which was donated to AAQI as a Little Treasure. (Inspiration for the fused hearts came from this beautiful flower [above] found alongside one of the walkways leading to Opryland from the Opry Mills parking lot.)



We didn’t travel together, but Chris and I found each other while there ~ she purchased her current Nolting longarm “Iris” during the show. [We were a bit giddy ~ this was Chris doing her Vanna-impression next to one of Caryl Bryert Fallert's quilts]

Wednesday, March 17, 2010

Flying Geese & Angel Wings

The essay below on geese had been in my quilt journal for well over 18 months and my desire to create a flying geese quilt had been gestating for at least that long.

In the early spring of 2006, I finally settled on a strippy geese pattern named “String Theory.” I spent several days cutting the scrappy pieces from my stash of batiks. I found a batik in soft sunset colors to use for the “sky” (‘angel wings’). But, almost as soon as I put the first row up on the design wall, I knew this concept wasn’t ‘right.’

Since that realization, I lost count of how many times the quilt changed. It eventually transformed from the long vertical strips of “String Theory” to 12” blocks loosely based on a traditional Flying Dutchmen layout and to an on-point setting (my first attempt).

Even after all this, I continued to struggle with my desire to feature the scrappy piano key border and binding assembled and hanging on the design wall (I often work on the parts out-of-order). The gestation and pondering continued for several more weeks.

And then, we went west to Santa Fe for Eric and Lauren’s wedding. The rich, vibrant colors of the Southwest encouraged me to move beyond “safe” with this quilt.

When Chris and I made a day trip to Cherry Lane (now closed) in Jackson a few days after the wedding, I went hoping to find a batik that would work for the setting triangles. After staring at the 100+ bolts of batiks for over an hour; pulling out, considering, and rejecting probably 40 or more of them, I pulled a warm, limey-green with soft brown, turquoise, and lavender swirls. I had found “the” missing fabric.

Only two days later, the top was completed and, while some may not understand the apparently confused geese and/or the choice of the receding sky/angel wing fabric, the results speaks volumes to me: Trust my instincts, listen to my heart, take a chance, and let the thought evolve instead of trying to force it to happen.

Once again, my quilts are trying to teach me about myself.

Lessons from Geese

Fact 1: As each goose flaps its wings it creates an "uplift" for the birds that follow. By flying in a "V" formation, the whole flock adds 71% greater flying range than if each bird flew alone.

Lesson 1: People who share a common direction and sense of community can get where they are going quicker and easier because they are traveling on the thrust of one another.

Fact 2: When a goose falls out of formation, it suddenly feels the drag and resistance of flying alone. It quickly moves back into formation to take advantage of the lifting power of the bird in front of it.

Lesson 2: If we have as much common sense as a goose, we stay in formation with those headed where we want to go. We are willing to accept their help and give our help to others.

Fact 3: When the lead goose tires, it rotates back into the formation and another goose flies to the point position.

Lesson 3: It pays to take turns doing the hard tasks and sharing leadership. As with geese, people are interdependent on each others' skills, capabilities, and unique arrangements of gifts, talents, or resources.

Fact 4: Geese flying in formation honk to encourage those up front to keep up their speed.

Lesson 4: We need to make sure our honking is encouraging. In groups where there is encouragement, the production is much greater. The power of encouragement (to stand by one's heart or core values and encourage the heart and core of others) is the quality of honking we seek.

Fact 5: When a goose gets sick, wounded, or shot down, two geese drop out of formation and follow it down to help protect it. They stay with it until it dies or is able to fly again. Then, they launch out with another formation or catch up with the flock.

Lesson 5: If we have as much sense as geese, we will stand by each other in difficult times as well as when we are strong.
Size:

Machine Quilted by Chris Ballard

Wednesday, March 10, 2010

More Summer 2006 Projects

During the summer of 2006, while I was working at an insurance defense law firm, the father of a co-worker passed away. The family couldn’t bear to throw away Oble’s ties, so I was drafted to create pillows for his widow and their nine children/grandchildren.

I left the ties intact, laying one alongside another atop a muslin backing, and used the fancy stitch features of my Bernina to secure the edges. The resulting “fabric” was then cut into squares and, finally, bound pillow covers.

My co-worker purchased the pillow forms and, a few weeks later, this group of memory-laden pillows was the result.



That same summer, two other co-workers at that law firm (our receptionist and the wife of an attorney whose office was across the hall from my desk) had beautiful baby girls. These quilts were created for Miss Quinn and Miss Alayna.


Wednesday, March 3, 2010

Possibilities

2006 was the one and only time that I participated in the Hancock Fabric’s Quilt of Dreams to benefit the children of St. Jude Children’s Research Hospital.

Scattered fragments of the rainbow ~ connected by looping, swirling ribbons of color . . . Life doesn’t always move in a straight, tidy line. There are countless unpredictable twists and turns, curves, bumps, gullies, and dead ends.

The steady glow of faith, hope, and love encircles each of us; encouraging us to believe in the infinite power of possibility ~ of dreams like Jetsunma, who wrote, “My dream is for people to be free from suffering and only the light of compassion shine through.”

[as modeled by our granddog, Tippy]

Pattern Used: Sevens and Nines from Quick Colorful Quilts
Machine Quilted by Chris Ballard

Wednesday, February 24, 2010

Deeper Than the Stars

The years we spent watching Mom’s decline due to Alzheimer’s were full of so much anger, fear, frustration, pain, confusion, exhaustion, grief, and an overwhelming sense of inadequacy.

Alzheimer’s is harsh, erratic, unrelenting, unpredictable, disheartening, unforgiving, demoralizing, menacing, and random.

Before and After . . .

Life and Death . . .

Joy and Sorrow . . .

Black and White . . .

The making of this panel for the Alzheimer’s Foundation of America’s Quilt to Remember became a vital part of my grieving process.

It was emotionally difficult to work in black and white, especially because the stark lack of color reinforced the irrevocable changes in our lives. The process allowed me to struggle and cry and, ultimately, move through some of my grief. It was and continues to be a profound journey.


Pattern: Original design
Size: 48” x 48”
Machine Quilted by Chris Ballard
Publication: 2008 AFA Wall Calendar

Wednesday, February 17, 2010

FIESTA!


First came a graduation quilt for our middle nephew ~ Kudzu

Next came a wedding quilt for our eldest nephew and his bride ~ Panjii.

Fiesta!, for our youngest nephew’s high school graduation, completed my 2006 trilogy of nephew quilts, affectionately known as ‘The Brotherhood of Quilts.’

Challenge: Combine orange and purple, his two favorite colors.
Pattern used: Yellow Brick Road
Size: Generous Twin XL (for a dorm room bed)
Machine Quilted by Chris Ballard
Gifted: May, 2008

Wednesday, February 10, 2010

Panjii

Pronounced “Pahnn...gee” ~ Japanese consonants are pronounced more or less the same way as in English. “A” sounds like “a” in “father” but the shorter “I” sounds like “ee” in “meet” only a bit shorter. Double vowels like “II” are held for twice the duration of single vowels.

Challenge: create a wedding gift quilt for our eldest nephew and his bride combining his favorite color (blue) with her favorite color (purple).


Blue is the color of the sky and sea. It is often associated with depth and stability. It symbolizes trust, loyalty, wisdom, confidence, intelligence, faith, truth, and heaven.

Purple combines the stability of blue and the energy of red. Purple is associated with royalty. It symbolizes power, nobility, luxury, and ambition. Purple is associated with wisdom, dignity, independence, creativity, mystery, and magic.

Green is the color of nature. It symbolizes growth, harmony, freshness, and fertility. Green has strong emotional correspondence with safety.

Yellow is the color of sunshine. It’s associated with joy, happiness, intellect, and energy.

Combined into a quilt, these colors evoke images of freshly planted beds of pansies. The French word “pensee” means thought or remembrance. The pansy was named after this word and, therefore, stands for thoughts. When one sends pansies to another, it means that you are thinking about them.

A German legend professes the glorious fragrance of the first pansy and the people who traveled miles to take in its tantalizing scent. So many came that the grasses where the pansies grew became trampled, leaving no food for grazing cattle. The flower then turned its bloom to God and prayed for Him to help the cows. God answered by taking away its fragrance and instead giving it a tricolor face. Thus, today the pansy has an adorable blossom and no scent.

Shakespeare endowed pansies with the power to invoke love at first sight in A Midsummer Night’s Dream; and Charles Darwin himself took an interest in pansy-breeding describing the dainty beauties as “beautiful, flat, symmetrical, velvet-like flowers, more than two inches in diameter, magnificently and variously colored.”

As charming a flower as it is carefree, the pansy caught on in working-class British gardens, causing one bloke to reflect, “It’s inexpensive, it is easily managed and it is beautiful; and beauty is a thing more needed by the poor than by the rich.”

Today, the pansy is considered the favorite flower in the world. The pansy is no weakling ~ it is a little plant with true flower power.


Pattern Used: My own version of a traditional Roman Squares block.
Size: King
Machine Quilted by Chris Ballard
Gifted: June, 2006

Sunday, January 31, 2010

Kudzu




This was the first of three quilts that would become known as "The Brotherhood."

Kudzu was made for our middle nephew's high school graduation. It didn't take long to gather the boisterous scrappy greens for an oversize twin Yellow Brick Road quilt that he could take away to college.

Of course, I had to create a write up for him to explain the name since he has lived his entire life in Michigan where there is no kudzu . . .

Wednesday, January 20, 2010

Pretty In Pink

Gifted in March 2006.

“A woman in pink, exuding all the connotations of girls being made of “sugar and spice and everything nice” is a cliché that stubbornly lingers in the culture (commentary following Hillary Clinton’s pink interview suit). Vice President Cheney sat in the warm glow of his ceremonial office in the Eisenhower Executive Office Building Wednesday afternoon and, in an interview with Fox News, accepted responsibility for the hunting accident in which he blasted Texas lawyer Harry Whittington with birdshot. Cheney was dressed in a dark suit with a small American flag pinned to his lapel. But instead of the red tie that is part of his standard business uniform, he was wearing a pink one. For Clinton, a pink suit worked like a shield. For Cheney, a pink tie was a weapon.”

This fun-loving quilt was made for a friend’s birthday. After the long gray winter and completing the charm quilt in warm, rustic colors, my soul simply SCREAMED for happy, cheery pink. (Then there was also the fact that my friend’s son and daughter-in-law were expecting the family's third grandchild, a girl).

Pinks have always been my all-time favorite colors: shirts, sweaters, and such comfort me. Pink Depression glass, pens with pink ink, hot pink post-it notes . . . shocking vibrant pinks, softer muted rosy pinks, and every shade in between . . . I love them all.

Pink is . . .
singing Gerbera daisies in terra cotta pots . . .
sugary cotton candy melting in my mouth . . .
a perfect, freshly-picked rose, glistening with dew.